There are 24 examples, with two in each of the twelve keys. Each example is denoted by a number corresponding to the starting key in clock notation, and a sign, plus or minus, corresponding to the direction of the first root movement. Thus, the first example, 1+, starts in A (1 in clock notation), and moves up four semitones to Db. A bass line is included, using notes from the triads (1-3-5) and occasionally the 6th, which makes a minor 7 sound. The function of each bass note is indicated as a number (1, 3, 5, or 6) above the staff. All examples are in 4/4 and consist of four bars, repeating the two chords once. Thus, the triads making up the 1+ example are A-Db-A-Db. All examples can be played with a pick only, without having to pluck the strings with the right hand fingers.
| Key | Chords | Clock | BPM | Audio | Tablature |
|---|---|---|---|---|---|
| 1+ | A-Db | |
120 | mp3 | png pdf gp6 |
| 2+ | Bb-D | |
140 | mp3 | png pdf gp6 |
| 3+ | B-Eb | |
120 | mp3 | png pdf gp6 |
| 4+ | C-E | |
140 | mp3 | png pdf gp6 |
| 5+ | Db-F | |
140 | mp3 | png pdf gp6 |
| 6+ | D-Gb | |
140 | mp3 | png pdf gp6 |
| 7+ | Eb-G | |
140 | mp3 | png pdf gp6 |
| 8+ | E-Ab | |
140 | mp3 | png pdf gp6 |
| 9+ | F-A | |
140 | mp3 | png pdf gp6 |
| 10+ | Gb-Bb | |
100 | mp3 | png pdf gp6 |
| 11+ | G-B | |
140 | mp3 | png pdf gp6 |
| 12+ | Ab-C | |
140 | mp3 | png pdf gp6 |
| 1- | A-F | |
140 | mp3 | png pdf gp6 |
| 2- | Bb-Gb | |
140 | mp3 | png pdf gp6 |
| 3- | B-G | |
140 | mp3 | png pdf gp6 |
| 4- | C-Ab | |
110 | mp3 | png pdf gp6 |
| 5- | Db-A | |
140 | mp3 | png pdf gp6 |
| 6- | D-Bb | |
140 | mp3 | png pdf gp6 |
| 7- | Eb-B | |
110 | mp3 | png pdf gp6 |
| 8- | E-C | |
120 | mp3 | png pdf gp6 |
| 9- | F-Db | |
120 | mp3 | png pdf gp6 |
| 10- | Gb-D | |
140 | mp3 | png pdf gp6 |
| 11- | G-Eb | |
140 | mp3 | png pdf gp6 |
| 12- | Ab-E | |
120 | mp3 | png pdf gp6 |